language – You Book Me All Night Long

China Miéville, Embassytown

In a futuristic world on a faraway planet, Avice Benner Cho lives in the main colonists’ city of Embassytown. The planet’s natives, whom the colonists refer to as Hosts, have a unique system of language involving two simultaneously spoken voices that makes communication with them largely impossible; while the humans can understand the Hosts, the Hosts can’t understand most humans at all. The only people even remotely able to speak to the Hosts are the Ambassadors, identical twins who have been specifically engineered for the purpose. So when a new Ambassador arrives on the planet, and they’re not identical twins at all, everyone is shocked by the sheer impossibility of it. And when this Ambassador speaks to the Hosts, even more astonishing — and dangerous — consequences ensue. Avice, though not an Ambassador, has a special relationship to the Host language because she is one of its living similes. Can she find a way to mitigate the disasters caused by the new Ambassador?

If you’re confused by my summary of this book, don’t worry — I was confused for about the first half of the novel! Miéville creates an extremely intricate world full of technobabble and doesn’t spend a lot of time explaining things; rather, the reader is thrust directly into the world and left to sink or swim. I usually don’t mind this technique, since lengthy world-building exposition can be tedious. But because the world is so complicated, it took me a while to figure out which things were important to the story and which were just window dressing. Additionally, the book jumps between two different time periods, which confused me at first. But once I figured out where the story was going and how the past and present narratives fit together, I became much more invested. People who are interested in linguistics will be fascinated by Avice’s eventual solution to communicating with the Hosts. The book also touches on issues of colonialism: although the humans aren’t overtly oppressors, there is a shadowy empire in the background to remind us that there might be hidden agendas at play. Overall, this is not the most accessible book to a casual reader, but those who persevere will be rewarded.

Max Barry, Lexicon

Emily Ruff is a teenager living on the streets of San Francisco, subsisting on the change she earns by fleecing people at cards. So when she is approached by a mysterious organization that wants to send her to a special boarding school, all expenses paid, she jumps at the chance without asking too many questions. When Emily arrives at the school, she learns that its purpose is to train poets, an elite group of individuals who can use words to “persuade” people to do anything. Emily learns that people can be divided into segments based on their personality type, and each segment responds to a unique set of words. The poets want Emily because they have ascertained that she is more than usually persuasive. Meanwhile, Wil Parte is on the run, accompanied by a renegade poet called Eliot — but he doesn’t know who he’s running from or why they’re looking for him. Both Emily and Wil must eventually face violence and impossible choices as the connection between their stories becomes evident.

I picked up this book because I loved the premise, which is essentially that words have power (something book lovers already know!). Max Barry has imagined a world in which the masses can be controlled by an elite few with words alone — a world that is frighteningly close to our own. For me, the book’s biggest strength is how plausible it is; with our private lives increasingly made public through the Internet, it’s very easy to imagine governments and other powerful groups using that private information for their own ends. The book also reads extremely quickly and is chock-full of action. However, the book was a little too graphic for me, in terms of both sex and violence. And more importantly, I feel like Barry missed a great opportunity to explore some interesting philosophical questions in the novel. Clearly the poets are to some extent sinister, and the villain of the book is quite obviously the villain; but even the so-called heroes do a lot of morally questionable things, and their behavior is never really called to account. The book has a happy(ish) ending, and I just don’t think it’s justified. Still, this is a fun read if you’re interested in the premise, but I’d recommend getting it from the library rather than buying.