Review: Death in the Tunnel

Death in the TunnelMiles Burton, Death in the Tunnel

When prominent businessman Sir Wilfred Saxonby is found dead in a first-class train compartment, the local police assume that he must have committed suicide. After all, they found the murder weapon, monogrammed with Sir Wilfred’s initials, in the train compartment, and the train employees swear that no one entered or left the compartment except Sir Wilfred himself. But because of the man’s high social status—and the apparent lack of a motive—Scotland Yard is called in. Inspector Arnold is not quite satisfied with the suicide theory, so he in turn asks for the help of his friend Desmond Merrion, an amateur expert in criminology. Together, Arnold and Merrion consider the possibility that Sir Wilfred was murdered and try to discover how it could be done.

This is one of those Golden Age mystery novels that’s all plot and absolutely no character development. The two principal characters are Arnold and Merrion, and all we ever learn about them is that Merrion is more “imaginative” than Arnold, but both are good detectives. They have literally no other character traits — though I believe there are several other books featuring Merrion, so he may be better defined elsewhere. Sir Wilfred is only fleshed out enough to hint at a possible motive for murder, and the three or four suspects are only vaguely differentiated from each other. That said, the plot is actually very ingenious — one of the best mysteries I’ve read in a while from a pure “puzzle” standpoint! Merrion and Arnold piece together their solution in a very logical way, demonstrating how the seemingly impossible crime could have been accomplished. So in the end, the excellent plot made up for the lackluster characterization, for me; your mileage may vary.

Review: The Shadow Queen

Shadow QueenC.J. Redwine, The Shadow Queen

In this YA retelling of Snow White, Lorelai Diederich is the princess of Ravenspire, which has been taken over by her wicked stepmother, a powerful sorcerer named Irina. Irina’s dark magic, which steals the lifeblood of Ravenspire itself, has bewitched everyone in the kingdom to obey her without question. Lorelai, her brother Leo, and their faithful servant Gabril are on the run and trying to start a revolution, but without much success. Meanwhile, the neighboring kingdom of Eldr is being overrun by ogres, so Prince Kol is forced to ask for Irina’s help. In exchange, Irina magically compels him to hunt down the fugitive royals and kill them. When Kol and Lorelai eventually do meet, however, they decide to join forces and oust Irina from the throne. But will they be able to overcome her powerful magic?

I’m a fan of fairytale retellings, and there’s a lot to enjoy in this novel — a strong heroine, a fast-moving plot, an intriguing fantastical world, and even some dragon shapeshifters! But while I liked the book, nothing about it particularly wowed me. Lorelai and Kol are both entertaining characters, but I feel like I’ve seen them before; feisty heroines with hidden potential and the conflicted heroes who love them are a dime a dozen in YA fantasy. I appreciated the attempt to give Irina some nuance, but all the other characters are fairly one-dimensional, particularly Gabril, who exists only to be a Loyal Servant. The world-building did pique my interest, but I wanted to know more about the magical system (the “rules” aren’t ever quite clear) and how the different countries interact. To be fair, the world is probably fleshed out more in the sequels, and I may end up getting them from the library at some point, but I’m not in a rush.