Miles Burton, Death in the Tunnel
When prominent businessman Sir Wilfred Saxonby is found dead in a first-class train compartment, the local police assume that he must have committed suicide. After all, they found the murder weapon, monogrammed with Sir Wilfred’s initials, in the train compartment, and the train employees swear that no one entered or left the compartment except Sir Wilfred himself. But because of the man’s high social status—and the apparent lack of a motive—Scotland Yard is called in. Inspector Arnold is not quite satisfied with the suicide theory, so he in turn asks for the help of his friend Desmond Merrion, an amateur expert in criminology. Together, Arnold and Merrion consider the possibility that Sir Wilfred was murdered and try to discover how it could be done.
This is one of those Golden Age mystery novels that’s all plot and absolutely no character development. The two principal characters are Arnold and Merrion, and all we ever learn about them is that Merrion is more “imaginative” than Arnold, but both are good detectives. They have literally no other character traits — though I believe there are several other books featuring Merrion, so he may be better defined elsewhere. Sir Wilfred is only fleshed out enough to hint at a possible motive for murder, and the three or four suspects are only vaguely differentiated from each other. That said, the plot is actually very ingenious — one of the best mysteries I’ve read in a while from a pure “puzzle” standpoint! Merrion and Arnold piece together their solution in a very logical way, demonstrating how the seemingly impossible crime could have been accomplished. So in the end, the excellent plot made up for the lackluster characterization, for me; your mileage may vary.
Elizabeth Daly, Unexpected Night
This first novel in the Henry Gamadge series centers around Amberley Cowden, a young man who stands to inherit millions of dollars on his 21st birthday—assuming he lives that long. He has a chronic heart condition, and it’s only a matter of time before he has a fatal attack. But when his body is found at the bottom of a cliff on the very day he turns 21, his death can’t help but raise suspicions. The local police mount an investigation that leads to a nearby theater troupe, another mysterious death, and the attempted murder of Alma, Amberley’s cousin and heiress. Henry Gamadge, who knows some of Amberley’s relatives, assists the police in their investigation, and his expertise in handwriting analysis proves valuable in solving the case.
Although it’s not particularly groundbreaking, I enjoyed this Golden Age mystery very much. The plot is a little bloated in places, but I found the ultimate solution ingenious. I also liked the character of Henry Gamadge, although he’s very involved with an investigation he really has no right to be involved with — a fact that several of the other characters point out! But I like that he cooperates so well with the local police, rather than trying to investigate on his own. Stylistically, I didn’t like the fact that dialogue tags are very infrequent; it’s often not immediately obvious who is speaking, although I could generally figure it out from context. Still, that quibble aside, I liked this book and am excited to read more in the Henry Gamadge series.
Lois Austen-Leigh, The Incredible Crime
Prudence Pinsent enjoys her position as the daughter of the Master of Prince College, Cambridge. She socializes with the various professors, Fellows, and their wives, and she loves a good rugby match. One day she travels into the countryside to visit her cousin, Lord Wellende, and to enjoy a few days’ hunting on his estate. En route, she encounters an old acquaintance who happens to be a coast guard inspector. He reveals that a nasty new drug is being smuggled into England, and the central distributor is operating out of Cambridge. Moreover, he suspects that Lord Wellende, whose estate is on the coast, may also be involved. He asks Prudence to keep her eyes and ears open while she visits her cousin, but she insists that Wellende couldn’t possibly be involved in drug smuggling. However, the longer she stays at Wellende’s estate, the more she is forced to admit that something fishy is going on. Meanwhile, she finds romance in an unlikely place.
I enjoyed this book for its bright, lively voice, but I must say that the plot is very scattered! Cambridge actually isn’t a huge part of the story, but the scenes set there feel more like a satire of academia than anything else. The drug smuggling is the main plot, but it’s not a traditional mystery in the sense of fair cluing, multiple suspects, alibis, and the like. There is a suspicious death in the book, but it happens almost at the end of the novel and is resolved fairly quickly. Then there’s the romantic element, which I (somewhat surprisingly) was not a fan of and which felt very tacked on. My overall impression is that the book isn’t sure what it’s trying to be. I think it’s best to approach the novel as a period piece — the style is enjoyable, there are some lovely descriptions of the countryside, and some of the minor characters are great fun. But it’s not particularly satisfying as a mystery, and I’m not sure whether I’ll end up keeping my copy.
Ngaio Marsh, A Man Lay Dead
This first book in the Inspector Alleyn series is pretty much the quintessential English country house murder. A group of acquaintances is invited to Frantock, the stately home of Sir Hubert Handesley, who is famous for his house parties. Everything seems to be going swimmingly, although first-time guest Nigel Bathgate notices some tension in the air. Sir Hubert suggests a game of Murders, in which one guest is secretly designated the “murderer” and must “kill” another member of the party without being caught. Of course, the game becomes all too serious when one of the houseguests is really killed. Inspector Alleyn is on the case, and he soon uncovers several motives for murder — but it seems as though none of the suspects would have been able to complete the dastardly deed in time.
I’m almost positive that I’ve read this book before, but it’s been so long that I hardly remembered anything about it. Maybe I didn’t like it the first time, because I don’t remember reading any other books by Ngaio Marsh; but I definitely enjoyed it this time around! I liked the writing style, the book has good pacing, and the clues are well planted and spread around. The solution to the mystery is bizarre but satisfying, and there’s even a nice little romance on the sidelines. The characterization is rather flat, even for Alleyn; Nigel Bathgate is the only one with a bit of depth. And a fair bit of the plot is spent on a Russian secret society that (spoiler alert) has nothing to do with the murder and is just there to create trouble. (I mean, that’s not even really a spoiler, because it is literally never the Russians.) Still, I’m definitely interested in continuing with this series, and I’m sure the characterization — at least of Alleyn himself — will improve in later books!
New year, new vintage mystery challenge at My Reader’s Block! This year there’s a new format: the books we read must answer the questions “who,” “what,” “where,” “when,” “why,” and “how,” based on the detective notebooks provided. As you can see, I’ll be using the Golden Age notebook, which is for mysteries published before 1960.
I’m signing up for the minimum commitment of six books, one for each question. But if I read more, maybe I’ll level up! If you’re participating in this challenge, what book(s) are you most looking forward to? I’m most excited to read Lois Austen-Leigh’s The Incredible Crime — the author is a descendant of Jane Austen!