Morgan Matson, Save the Date
Charlotte “Charlie” Grant is the youngest of five siblings, and she loves her big, boisterous family more than anything. Now her older sister is getting married — a bittersweet occasion for Charlie, since the wedding will be the last big event in her family home, which is about to be sold. Still, Charlie is thrilled that her siblings will all be coming home for the wedding, and she’s looking forward to a perfect weekend of family togetherness. But, of course, nothing goes according to plan: The wedding planner quits at the last minute, forcing the Grants to scramble for a substitute. The weather refuses to cooperate. The house is overcrowded with unexpected guests. Charlie’s favorite brother brings home an awful girlfriend without telling anyone. And, of course, there are Charlie’s own problems, including a possibly requited crush on the neighbor boy and a tough decision about which college to attend in the fall. As Charlie attempts to cope with these issues, she also begins to realize that her seemingly idyllic family might not be quite so perfect after all.
Morgan Matson is one of my favorite YA contemporary authors, so it’s no surprise that I really enjoyed this book. I love anything wedding-related, so the setting was automatic catnip for me; and I also love books about big families, which seem to be somewhat underrepresented in fiction. I completely bought the family dynamic in this book, especially the loving but complicated bonds between Charlie and her siblings. An interesting aspect of Charlie’s character is that she tends to perceive her siblings in somewhat static categories: Danny, the oldest brother, is her hero; J.J. is the class clown; Mike is the “problem” child. And a lot of her growth comes from recognizing that they can’t be classified so neatly, that they are real human beings who grow and change just as she does. So I really liked that aspect of the book! I will say that the romance, while adorable, doesn’t get much development compared to all the family stuff, so readers who are looking for that might be disappointed. Also, Charlie can be almost irritatingly naive at times. But overall, I liked this one a lot and am eagerly awaiting Matson’s next book!
Matt Haig, The Humans
Professor Andrew Martin, a mathematician at Cambridge University, has just proved the Riemann hypothesis, an action that represents a huge breakthrough with dramatic consequences for the improvement of human science and technology. Unfortunately, his discovery has come to the attention of an alien race that, believing all humans are motivated by violence and greed, will do anything to prevent it from going public. Therefore, one of the aliens is sent to Earth to invade the professor’s body, destroy the proof of the Riemann hypothesis, and kill anyone who might know about the discovery — including the professor’s wife and troubled teenage son. At first, the alien is eager to complete his mission; but the more time he spends on Earth, the more he comes to understand and even love the humans around him.
I went into this book knowing very little about it, and I was pleasantly surprised by how much I enjoyed it! Matt Haig has a light, playful style but doesn’t shy away from more serious moments, as when the alien narrator begins to feel the tension between his growing empathy with the humans and his own cultural values. I liked that the book is a sort of philosophical thought experiment, exploring how the human race might look to an intelligent but emotionally detached outsider, and ultimately considering the question of what it means to be human. Oddly, I found the human culture on display in this book to be a bit off-putting . . . for example, the fact that Andrew Martin’s son is named Gulliver rubbed me the wrong way. But overall, this is a fun read with a good mixture of levity and thoughtfulness.
Lucy Parker, Making Up
Trix Lane is a confident, talented circus performer whose daring aerial acrobatics have won her a major role in a popular and long-running London show. But some of her spark has dimmed lately, in the wake of an emotionally abusive relationship that shook her confidence. Now she has the opportunity to get an even bigger role in the show, but she’s not quite sure she can do it. And her anxiety isn’t helped when she learns that Leo Magasiva has just been hired to do makeup for the show. Leo and Trix have a fraught past, and whenever they meet, they can’t seem to help antagonizing each other. But beneath their sarcastic banter is an undeniable attraction, and when they begin to explore their true feelings for one another, Trix is surprised to discover how compatible they really are. But will their fledgling relationship be able to survive new misunderstandings and competing career goals?
I adore Lucy Parker’s contemporary romances, and this one is no exception. I love the enemies-to-lovers trope when it’s done well, which it definitely is here; I especially loved the nods to Much Ado about Nothing (my favorite Shakespeare play, not surprisingly!). I have to admit, though, I didn’t adore this book quite as much as I did Act Like It and Pretty Face. I think it’s because the overall tone is a little more somber, and there isn’t quite as much witty banter. (That’s understandable, of course, given that Trix is recovering from her ex’s abusive treatment.) I also find that I can’t remember very many incidents in the book. Both Leo and Trix do change throughout the novel, but their development is largely internal, not necessarily tied to specific plot events. Don’t get me wrong — I still really liked this book! It’s just a bit quieter than Parker’s previous novels. But I still love her and can’t wait until her next book, The Austen Playbook, comes out!
Lindsey Kelk, I Heart New York
This chick lit novel follows Angela Clark, an English girl whose life is turned upside-down when she catches her long-term boyfriend cheating on her, then finds out that all her friends already knew. Feeling heartbroken and betrayed, Angela impulsively hops on a plane from London to New York, where she immediately falls in love with the city. Her new BFF Jenny shows her around town, takes her shopping, and gives her a ton of advice on life, love, and the perfect makeup products. Angela is excited about her new adventure but hesitant to start dating again — that is, until she meets two gorgeous men, Wall Street finance guy Tyler and Brooklyn-based musician Alex. But who is truly the right guy for her? And when Angela is faced with two great job opportunities, one in New York and one back in London, she must make an even bigger decision: will she go back to her old life or embrace her newfound happiness in New York?
I’ve read and enjoyed some other books by Lindsey Kelk, so I was excited to read this one. Unfortunately, I found it pretty disappointing. I expected it to be light and fluffy — indeed, that’s what I’m usually looking for with this type of book — but it was so insubstantial that I completely lost interest. Angela has a fun narrative voice, but she doesn’t seem to care about anything except shopping and dating. And while readers are clearly supposed to be rooting for one of Angela’s suitors over the other, I found them both pretty obnoxious. The economics of this book also frustrated me. Angela is a freelance writer and not working on any particular project when the book begins, yet she is somehow able to afford (1) a last-minute trans-Atlantic flight, (2) several nights in a boutique Manhattan hotel, (3) half the rent on a Manhattan apartment, and (4) thousands of dollars’ worth of designer clothes, handbags, and shoes, all within a period of about three weeks. I mean, I get that this is supposed to be a wish-fulfillment fantasy type of story, but I still wasn’t able to suspend my disbelief. I would say that if you genuinely wish you were Carrie Bradshaw, you might like this book, but I was not a fan.
Leslie Cohen, This Love Story Will Self-Destruct
Eve is a music writer who thrives on emotion, creativity, and chaos. She dates edgy, brooding musicians, and she’s not attracted to anyone who isn’t a little bit broken. In short, she’s the last person who would want to be in a stable, long-term relationship—especially with someone like Ben. Ben is a civil engineer who values order, logic, and direct communication. A girl like Eve would drive him crazy. Of course, this novel is their love story, and it traces their relationship from college acquaintances to a one-night stand and beyond. But of course, there are many obstacles in their path: Eve is emotionally guarded due to her father’s abandonment and a family tragedy, while Ben is keeping a secret relevant to that same tragedy. And then there’s the matter of Eve’s ex-boyfriend Jesse, one of the aforementioned brooding musicians, who comes back into her life at the worst possible time. Will these obstacles force Eve and Ben apart, or is their connection strong enough to bring them back to each other?
I have deeply mixed feelings about this book. On the one hand, I found it compelling enough that I read most of it in one sitting and stayed up way too late as a result. On the other hand, I found myself (metaphorically) rolling my eyes a lot. I recently saw this quote in a commentary on the Morning News Tournament of Books: “The only books I refuse to read are those about twenty-somethings living in New York.” And while I don’t have that same rule myself, I completely understood what that commentator meant as I was reading this book. This is a novel that positions itself as a romantic comedy—the cover compares the author to Nora Ephron—but it has none of the lightness, humor, or joy I’d expect from a rom-com. Rather, the whole thing is just kind of dreary. I did find Eve’s journey somewhat interesting; she’s a character who has been telling herself a certain narrative about who she is, and she eventually discovers that her narrative is flawed and that it can change. At the same time, she annoyed me more often than she intrigued me. Ben is a more likable character, but that’s only because he doesn’t have much of a personality. Overall, I’m not quite sure who this book is for: whether you want a rom-com or a literary depiction of New York, I think there’s better stuff out there.
Tana French, Faithful Place
Frank Mackey, last seen as Cassie’s irascible handler in The Likeness, is an experienced undercover cop. He’s tough as nails and an expert in detachment: getting emotionally involved in an operation is the surest way to screw it up. But Frank’s detachment is really rooted in his childhood, growing up in a poor neighborhood in 1980s Dublin. When he was 19 years old, he was madly in love with Rosie Daly, the girl next door. Despite their families’ disapproval, they were planning to run away to England together. But Rosie never showed up, and Frank always assumed that she changed her mind and left the neighborhood on her own. Now, however, one of Frank’s sisters reaches out to him with disturbing news: no one has heard from Rosie since she supposedly left town, and her suitcase has just been found. To find out what really happened all those years ago, Frank must return to his estranged family and face the ghosts of his past; but the truth may be even more horrible than living with the uncertainty.
The word I keep using to describe this book is intense, but that doesn’t seem to encompass the emotional wringer I went through while reading this book. Something about Tana French’s writing pulls me in and grabs me, and I think this novel might be my favorite of hers so far. Frank is not a particularly likable character—he’s manipulative, callous, and occasionally violent—but I never doubted the truth of his thoughts, feelings, and actions. His interactions with his family also felt real to me; French excels in her depiction of dysfunctional families, and the Mackeys are a quintessential example. The plot isn’t particularly complex as far as mysteries go; Rosie’s fate is never really in doubt, and the villain of the piece isn’t that hard to spot either. But the point of this type of mystery isn’t solving the puzzle of whodunnit or why; the point is what happens, or what ought to happen, once the puzzle is solved. And the consequences of Frank’s discovering the truth provide the gut punch of this novel. Bottom line, I can’t wait to continue with the Dublin Murder Squad series!
N.B. This is technically book 3 of the Dublin Murder Squad series, but you absolutely won’t be missing anything if you haven’t read books 1 and 2.
Seanan McGuire, Discount Armageddon
Verity Price is a cocktail waitress and aspiring professional ballroom dancer living in New York City. But she’s also a cryptozoologist who studies the paranormal inhabitants of Manhattan — everything from ghouls to bogeymen, shapeshifters to the Tooth Fairy. To Verity, cryptids are part of the natural order and should be left alone unless they start harming humans. But not everyone sees it that way, particularly the Covenant of St. George, an ancient order sworn to exterminate all cryptids. Now a member of the Covenant, Dominic de Luca, has arrived in New York; and between his rigid views and his attractive physique, he’s trouble for Verity in more ways than one. Not to mention that there are rumors of a dragon — a species long assumed to be extinct — sleeping underneath the city, and someone seems to be trying to wake it up.
I’m a longtime fan of Seanan McGuire’s Toby Daye series, but I haven’t been as enthusiastic about the last few books. So I guess it’s not surprising that I wasn’t a huge fan of this novel either. If you love Toby, you’ll also love Verity; she’s the same type of tough woman who will toss off quip after quip while she’s kicking the bad guy’s ass. But for me, the two characters feel almost too similar, and I’m over the schtick. I do think the world-building is very creative, and it was fun to read about the different types of cryptids and their various abilities. I also enjoyed the romance between Verity and Dominic, although every beat of it is predictable. I wish there had been more ballroom dancing, honestly; it would have been a fun distraction from the main plot, which involves a snake cult (!) and several trips into Manhattan’s sewer system. Maybe I’m being unfair to this book because I’m getting a bit burned out on the author, but I’m not particularly interested in continuing with the series.
Jasmine Guillory, The Wedding Date
Alexa Monroe gets into an elevator in a swanky San Francisco hotel. At first she doesn’t even notice that the elevator is already occupied, but when it gets stuck due to a temporary power outage, she finds herself making conversation with the handsome, outgoing Drew Nichols. Alexa and Drew have undeniable chemistry, and eventually Drew makes an unusual proposal: he’s supposed to be a groomsman in the wedding of his ex-girlfriend, and he needs a date. Alexa agrees to be his fake girlfriend, but the sparks that fly between them at the wedding are very real. But their fledgling romance is hindered by distance and their busy careers — he’s a pediatric surgeon in L.A., she’s the mayor of Berkeley’s chief of staff — and by Drew’s fear of commitment. Can they overcome these obstacles to make a relationship work?
There’s a lot to like in this charming, romantic novel, but for some reason I just wasn’t feeling it. Both Alexa and Drew are likable characters (albeit somewhat generic), and I loved that they both had jobs and friends and lives outside of the romance. I was especially happy that, contrary to the usual rom-com trope, Drew’s friend Carlos isn’t a dirtbag and actually gives Drew good advice about his relationship! I also enjoyed the detail that this is an interracial relationship — Alexa is black, Drew is white — and that it impacts the plot without being a Huge Issue. I think my problem was that the main conflict is a little banal. Drew’s afraid of commitment, but we never really learn why. The long-distance factor is supposedly an obstacle, but Drew and Alexa don’t try to convince each other to move, nor do they struggle with the idea of moving themselves. It just seemed odd to me that these obstacles aren’t explored in greater depth. So overall, this was a fun read, but nothing particularly special for me.
Ragnar Jónasson, Snowblind (trans. Quentin Bates)
This first book in the Dark Iceland series introduces Ari Thór, a brand-new policeman who’s just gotten his first job in Siglufjördur, a tiny town on the north coast of Iceland. Moving to Siglufjördur from Reykjavik proves challenging for Ari; not only does he leave the city and a serious girlfriend behind him, but now he finds himself an outsider in a tight-knit community. He also has to adjust to the weather, which in December consists of constant snowfall and almost 24-hour darkness. But the seemingly sleepy town takes on a more menacing aspect when a woman is stabbed and an old man falls to his death — or was he pushed? As Ari works on both cases, he uncovers multiple secrets that certain locals would rather keep buried.
Although I love a good mystery, I tend to shy away from Nordic crime novels because they all sound relentlessly depressing. But I quite liked this book, despite the slightly claustrophobic setting. It’s a little slow to get going, and I wasn’t a fan of the multiple narratives at the outset — the book bounces to different perspectives and time periods, and it was a bit confusing at first. I don’t like that device in general because it doesn’t allow you to really get into any one story; just when you start getting interested, the narrative jumps to something else. But I did like Ari Thór (although he clearly has some growing up to do) and would enjoy reading more books about him, as well as the other residents of Siglufjördur. I also liked the resolutions to both mysteries. So overall, I’d recommend this book to mystery lovers.
Kristan Higgins, Now That You Mention It
By all appearances, Nora Stuart has a great life: she’s a successful doctor living in Boston with her gorgeous boyfriend. But when said boyfriend dumps her while she’s in the hospital recovering from a car accident, she decides to reevaluate her life. She returns to her hometown of Scupper Island, Maine, to recover from her injuries, but in doing so she opens a lot of old wounds. Her relationship with her mother has always been distant, and the townspeople in general haven’t forgiven her for “stealing” a college scholarship from golden boy Luke Fletcher. As Nora starts to rebuild her life, she strives to mend fences, with mixed results. But with the help of a few new friends — and a possible new romance — she eventually feels ready to embrace life again.
Overall, I really loved this book. I found Nora very relatable and likable — in fact, almost too likable and sweet, given how much crap she’s gone through in her life. The chapters that describe her high school experience are downright heartbreaking, and I couldn’t help being angry at nearly every other character because they didn’t give her the love she so desperately needed. Also, there’s one absolutely horrifying scene in which she is the victim of a home invasion; her attacker attempts to rape and murder her, and it’s a very, very hard scene to read. On the one hand, I think it’s important to confront the reality that this happens to women all the time, and it should be disturbing and terrifying. On the other hand, I’m not exactly looking for that in my light fiction, you know? Except for that scene, though, the book is a compelling and ultimately uplifting read. Recommended for fans of women’s fiction with some weight to it.