Tag: england

Review: A Curious Beginning

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Curious Beginning, ADeanna Raybourn, A Curious Beginning

London, 1887. As the city prepares to celebrate Queen Victoria’s golden jubilee, Veronica Speedwell is marking a milestone of her own. After burying her spinster aunt, the orphaned Veronica is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as she is fending off admirers, Veronica wields her butterfly net and a sharpened hatpin with equal aplomb, and with her last connection to England now gone, she intends to embark upon the journey of a lifetime.

But fate has other plans, as Veronica discovers when she thwarts her own abduction with the help of an enigmatic German baron with ties to her mysterious past. Promising to reveal in time what he knows of the plot against her, the baron offers her temporary sanctuary in the care of his friend Stoker—a reclusive natural historian as intriguing as he is bad-tempered. But before the baron can deliver on his tantalizing vow to reveal the secrets he has concealed for decades, he is found murdered. Suddenly Veronica and Stoker are forced to go on the run from an elusive assailant, wary partners in search of the villainous truth. (Summary from Amazon.com.)

I’ve read and enjoyed the first few Lady Julia Grey books, so I was excited to learn that Raybourn has begun a new mystery series featuring intrepid lepidopterist Veronica Speedwell. Unfortunately, this book really didn’t work for me. It’s a good read in the sense that it’s well written and moves quickly, but I couldn’t get over my dislike of both Veronica and her partner/love interest, Stoker. Historical fiction can be difficult because the protagonists should be realistic for their time period but also sympathetic to modern readers. Veronica errs on the side of being far too modern for her era. She pursues a scientific career by traveling all over the world without a chaperone, and she engages in a variety of sexual affairs, apparently without any consequences to her reputation as a gentlewoman. I simply didn’t find her believable. As for Stoker, he’s a generic brooding alpha male type, and that’s basically all you need to know. It’s not a bad book, by any means, but it didn’t deliver what I look for in historical fiction.

Review: Unnatural Death

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Unnatural DeathDorothy L. Sayers, Unnatural Death

While dining out one day, Lord Peter Wimsey and his friend Inspector Parker are discussing so-called accidental deaths that might actually be murders. A young doctor overhears them and joins their conversation. He shares the story of a former patient, an elderly woman with cancer who died rather suddenly. She was terminally ill, and no signs of foul play were found on the body, so everyone believed her death was natural; but the doctor was nevertheless suspicious because she had seemed to be improving lately. The woman’s great-niece and presumed heiress was living with her at the time, so she had opportunity, but her motive was questionable because the old lady would die soon enough from natural causes. Lord Peter is intrigued by the case and decides to investigate. He employs Miss Climpson, a chatty but intelligent spinster, to temporarily relocate to the dead woman’s village and do some discreet investigating. Meanwhile, he and Parker search for other suspects, motives, and possible methods of the murder.

After rediscovering Dorothy Sayers earlier this year, I’ve embarked on a project to read all her Lord Peter Wimsey books in publication order. This is book #3 in the series, but if I recall correctly, it can be read as a standalone. I enjoyed this book a lot, but I feel like it’s a very unusual detective story. Despite a high body count, it doesn’t feel very action-packed or plot-driven. The main mystery is not whodunnit, but why and how. One of the biggest clues to the motive is a tiny change in an obscure property statute. Nevertheless, I found the mystery compelling and was eager to solve the complete puzzle of how and why the murder took place. Also, Miss Climpson is delightful; this is her first appearance in the series, but I believe she’ll be a recurring character in future books. She reminds me somewhat of a Jane Austen character — one of the good-hearted chatterboxes, like a more intelligent Miss Bates. I wasn’t completely on board with the characterization of the villain, whose psychology didn’t ring true for me. I doubt this will be my favorite Sayers mystery, but I did enjoy it and look forward to reading the rest of the series.

Review: A School for Brides

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School for Brides, APatrice Kindl, A School for Brides

The students of the Winthrop Hopkins Female Academy all know that their primary goal is not to receive a scholarly education but to learn the ladylike skills necessary to attract a husband. The problem is that the school is located in Lesser Hoo, Yorkshire, a country village with absolutely no eligible men. There are currently six girls of marriageable age at the school, and they are constantly bemoaning the dearth of potential husbands in the area. Fortunately, a chance encounter with some gentlemen who are visiting a nearby estate for hunting season provides them with all the romance and intrigue their hearts desire. Some of the girls fall in love with relative ease, while others find various obstacles in their paths. But when a valuable necklace goes missing and the school’s footman is the chief suspect, the girls and their paramours band together to clear his name and find the real culprit.

I had previously read and enjoyed Patrice Kindl’s [Keeping the Castle], which is set in the same village and features some of the minor characters in this book. So I was predisposed to enjoy this novel, and by and large I found it a pleasant read. The writing is light and brisk, very evocative of Georgette Heyer’s style (though of course not as good). I also liked the fact that the girls’ romances develop in a variety of ways. Some of them are true love stories with a happy ending, but some of them end in heartbreak, while one girl marries a kind man she doesn’t love after being betrayed by another suitor. This variety of outcomes especially makes sense in the Regency era, when marriage was basically the only choice for a gently bred young woman. The one thing I didn’t like was that, because of the sheer number of characters to follow, none of them are given much depth. I wasn’t particularly invested in any of the romances, nor did the mystery of the stolen necklace hold my interest (mostly because it was so easy to figure out). But for those who enjoy witty Regency fluff, I’d recommend this book as a fun read.

Review: The Other Daughter

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Other Daughter, TheLauren Willig, The Other Daughter

Working-class Rachel Woodley is currently employed as a governess in France, but she must return to England in a hurry when she learns that her mother is ill. By the time she gets back to her native village, her mother has died. As a grieving Rachel sorts through her mother’s possessions, she discovers a shocking secret: her father, whom she believed had died many years ago, is actually alive and well. Moreover, he’s an earl with a wife and daughter — his legitimate family. Shocked and angry, Rachel decides she must confront her father somehow. With the help of Simon Montfort, a young gentleman who is part of the earl’s social circle, Rachel assumes a new identity in order to get closer to her father. As she infiltrates the crowd of Bright Young Things in 1920s London, she manages to meet her half-sister and even obtain an invitation to the earl’s home. But the more she gets to know this side of her family, the more Rachel wavers in her desire for revenge.

While I adore Lauren Willig’s Pink Carnation series, her standalone novels have been a bit less successful, in my opinion. They usually lack the humor that makes the Pink Carnation books so much fun, and Willig’s trademark dual narratives (one historical, one contemporary) would split my focus in a way that I found very distracting. Happily, in this book, there is no contemporary framework narrative; the entire book follows Rachel’s journey in the 1920s. Perhaps for this reason, I ended up really liking the novel! I found Rachel’s motivations and feelings very believable, as she tries to deal with the fact that her entire identity has shifted. I also like that her feelings slowly change as she realizes that neither her father nor her half-sister is the pure villain she imagined at first. Of course, there’s a romance in the book as well, which I enjoyed very much — Simon is a delicious hero with a very interesting backstory. Overall, I liked this book a lot and would definitely recommend it to fans of historical fiction!

Review: The Twelfth Enchantment

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Twelfth Enchantment, TheDavid Liss, The Twelfth Enchantment

As a young woman of no fortune in 19th-century England, Lucy Derrick’s choices are extremely limited. Her parents are dead, so she is forced to live with her odious uncle and his cruel housekeeper. Her only means of escape is to accept the advances of a prosperous local mill owner, but she doesn’t love the man and has delayed making a final decision. But everything changes when Lucy encounters the dashing Lord Byron, the principal landowner in the area. Byron shows up on Lucy’s doorstep with a mysterious illness that is soon revealed to be magical in origin. To Lucy’s surprise, she is actually able to help him through exercising her own magical abilities. This chance encounter leads Lucy into a shadowy world whose existence she had never before suspected — a world of changelings and faeries and soulless beings who cannot die. Assisted by her friend Mary Crawford (of Mansfield Park fame) and by Jonas Morrison, the man who once broke her heart, Lucy must navigate a supernatural power struggle and find an ancient spell book that will vanquish her immortal enemies once and for all.

This was my first encounter with David Liss, and I think it’s probably not the right entry point into his work. My understanding of his other books is that they are serious historical fiction, with plenty of exploration of the gritty realities of life in former eras. This book contains a lot of those same concerns, with Luddites and Rosicrucians both being fairly integral to the plot. But at the same time, this novel also has a lot of Regency romance tropes, like the lovely but impoverished young woman who seeks marriage both for love and for economic stability. As a result, the book felt slightly schizophrenic to me. Personally, I was more interested in Lucy’s individual character development and her romantic relationships than in the broader power struggle, so everything about the aforementioned Luddites and Rosicrucians was a real slog for me. In other words, it’s too heavy for a light, fluffy read; but the Regency-romance elements detract from the serious historical fiction aspects of the book. Some things did work for me, particularly the central romance, but overall I think the book suffers from trying to blend two very different genres.

Review: Illusionarium

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IllusionariumHeather Dixon, Illusionarium

Jonathan has always viewed himself as a completely ordinary young man. He works as an apprentice to his father, one of the foremost scientists in the city, but he is preparing to go to university in a few months. However, all his plans are derailed when the king tasks his father with an important assignment. All throughout the country, a terrible illness is gripping its women, and now the queen has succumbed. Jonathan and his father have only a few days to find the cure before she dies. Their only hope seems to lie with Lady Florel, the most famous scientist in the country. She suggests using a drug called fantillium, which causes shared hallucinations and can thus be used to speed up the apparent passage of time. This will effectively give Jonathan and his father more time to experiment with a cure. Jonathan soon discovers that he is skilled at using fantillium to create hallucinations, or illusions, to impress his audience. But his use of the drug has a dark side, as well as the potential for a shockingly drastic effect on his entire society.

This is a book with a lot of interesting ideas, but it all felt a little half-baked to me. I think the problem is that there are too many plotlines for this relatively short novel, and I wasn’t sure where I was supposed to focus my attention. There’s the “race against time to find a cure for the disease” story, which does get resolved in the end, but we still don’t know much about what caused the disease or why it only affects women (at least, not that I can remember). There’s the “look at this cool drug that causes illusions, but what about the possible negative consequences?” story, which is probably the most developed plot. But to me, it seemed a bit inconsequential in the end…while the illusions would probably be great to watch on the big screen, they’re not particularly exciting in book form. And then there’s some business with parallel universes, but those are never really explained or explored either. I did like Jonathan as a character, and I loved his enemy-turned-ally Lockwood. But unfortunately, character development definitely takes a backseat to plot in this book. Overall, it’s not a bad read, but I wasn’t particularly engaged by it.

Review: Funny Girl

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Funny GirlNick Hornby, Funny Girl

This novel, set in the 1960s, tells the story of Barbara, a girl whose only dream growing up was to go on television and make people laugh. When she wins a local beauty pageant and realizes that she’s about to become stuck in a small-town rut forever, she moves to London to pursue her goal. Her good looks attract the attention of an agent, but all he wants is for her to stand there and look pretty in various insipid commercials. Eventually, however, by sheer luck she teams up with a group of comedy writers who are trying to develop a new show for the BBC. There are Tony Holmes and Bill Gardiner, who have been writing partners for years; there’s Dennis Maxwell Bishop, the meek producer who’s trapped in an unhappy marriage; and there’s Clive Richardson, the handsome, arrogant actor who will be playing the male lead in the show. Against all odds, Barbara — now using her stage name of Sophie Straw — lands the part, and the show becomes an unexpected hit. Throughout its run, Sophie and her colleagues must deal with love affairs, identity crises, divorces, and changing artistic visions; but in the end, they are inextricably linked by the shared bond of creating a show that changed all their lives.

I’m a big fan of Nick Hornby’s books, so I was excited to read this latest release. It’s a bit different from his earlier works — still very funny, but in a subtler way. My favorite parts of the book are when the four main characters are just sitting around, discussing the show and trying to break new stories. It’s a pleasure to watch them all interact and tease each other. It’s obvious that, regardless of the personal issues these characters might have with each other (or in their lives outside of work), they are all genuinely fond of each other. Because of this focus on the characters, there’s not a whole lot of plot in the book; it covers the show from beginning to end, then goes forward in time to explore what happens to Sophie and the other characters. To be honest, I wasn’t a big fan of the time jump; it made the book drag on and minimized the various setbacks and triumphs that occurred during the show’s run. Nevertheless, I enjoyed this book overall and would recommend it to people who like character-driven books, as well as people who are nostalgic for ’60s-era television.

Review: Rook

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RookSharon Cameron, Rook

Centuries after a shift in the Earth’s magnetic poles triggered an apocalyptic event, civilization has been rebuilt, but almost every form of technology is regarded with grave suspicion. In the Sunken City (formerly known as Paris), a revolution has established an oppressive new regime, and everyone who opposes it is ruthlessly executed. But one person dares to flout the authority of this new regime by stealing political prisoners away from their very jail cells: the Red Rook, who boldly leaves a crow’s feather tipped in red in the place of each escapee. No one suspects that the Red Rook is a teenage girl, Sophia Bellamy, who lives in the neighboring Commonwealth. With the help of her brother Tom, her friend Spear, and a small band of loyal friends, Sophia hopes to rescue as many doomed people from the Sunken City as she can. But her plans are complicated by her betrothal to the empty-headed social butterfly René Hasard. Despite her distrust of him, however, Sophia can’t help being attracted — especially when she discovers that his foppish persona might be an act. When a mission goes awry and Tom is captured, Sophia is forced to ask for René’s help, but can she really trust him?

Obviously, this book is an homage to one of my very favorite books, The Scarlet Pimpernel, but I was pleased to discover that it’s very much its own story. The basic idea of a daring rescuer with a secret identity is the same, but the plot diverges very significantly from the original story. I wouldn’t have minded a stricter retelling, but I’m glad this book was able to be inspired by the Pimpernel without simply copying it. I’m not sure how I feel about the science fiction elements; technically we’re in a post-apocalyptic world, but that doesn’t really seem to be necessary to the story, and it sometimes felt distracting. On the other hand, there are a few fun moments where the characters speak reverently about little bits of neon plastic, which are great treasures in this anti-technological world. Overall, I enjoyed both the action-filled plot and the romance, although the latter was a bit TOO romance-y for me (a little too much russet hair and piercing blue eyes and whatnot). I also think René’s true nature could have been left in a little more doubt, which would have increased the dramatic tension. But I did like this book a lot, and Pimpernel fans should definitely check it out!

Review: The Rose Rent

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Rose Rent, TheEllis Peters, The Rose Rent

In this 13th installment of the Brother Cadfael series, the Benedictine Abbey of Saints Peter and Paul is disturbed by yet another murder — and this time the victim is one of their own. Judith Perle, a young widow, rents a valuable cottage to the abbey in exchange for a single white rose to be paid from its garden once a year. Brother Eluric is charged with delivering the rose, but a few days before payment is due, he is found dead in the cottage garden. Moreover, the rosebush has been disfigured, its branches hacked off. As the monks mourn Brother Eluric’s death, Cadfael wonders who could have done such a terrible deed. His investigation ultimately centers around Judith Perle, whose wealth and beauty have attracted several new suitors. Because of the cottage’s value, any man who married Judith would want it to be included in her dowry; and if the abbey failed to pay the rose rent, the cottage would return to Judith’s estate without restrictions. As Cadfael searches for Brother Eluric’s killer among the men in Judith’s life, a kidnapping and a second murder ultimately reveal the culprit.

It’s hard to believe that a series could still be good after 13 books, but this latest installment of the Cadfael series was just as enjoyable to me as the first book. There’s a definite formula to this series: there’s almost always a romantic subplot, and the real-life historical events of the era occasionally impinge on Cadfael and the other inhabitants of Shrewsbury. But if you enjoy this formula, which I do, you’ll love the series! I always recommend starting with book one, [A Morbid Taste for Bones], but I think you could read this book without missing any key information and without spoilers for the earlier books. As for this novel in particular, I really don’t have much else to say about it! Simply put, I liked it and will continue with the series. Only seven more books to go!

Review: Here’s Looking at You

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Here's Looking at YouMhairi McFarlane, Here’s Looking at You

Aureliana Alessi was never the most popular girl in school. On the contrary, her bushy hair, dumpy figure, and acne-filled complexion ensured that she was frequently teased and bullied. Her worst torment of all came at the hands of James Fraser, the popular boy she had a crush on, who brutally humiliated her at the end-of-year talent show. Now, 10 years later, Aureliana has shed her old persona and her old name: she goes by Anna, and she loves her job as a history professor. But when her department agrees to assist a local museum with an upcoming exhibit, Anna is shocked to run into James Fraser again; he’s part of the publicity firm handling the exhibit. James is as handsome as ever, but he still seems to be the same shallow, self-absorbed person he was in high school. Worst of all, he doesn’t even recognize Anna, much less remember what he did to her. Nevertheless, as Anna and James start to spend more time together, they gradually become friends. She even finds herself harboring romantic feelings for him again. But will their fragile relationship survive when James discovers who Anna really is?

When I first heard about this book, the plot summary intrigued me right away. It seemed like the kind of thing that could be done either very well or VERY badly, depending on how the author handled the situation. I also felt a personal connection to the plot, since I was frequently picked on in school, and those experiences definitely still affect me today. Fortunately, I was pleasantly surprised by this book! I found Anna a very relatable character, and her various emotions toward James — everything from anger to desire to embarrassment — made sense to me. I also think James is portrayed very well. He’s not an admirable character, especially in the beginning of the book; he’s selfish and lost, and the company he keeps isn’t helping. But his backstory is just sympathetic enough that I was rooting for him to change, and I could understand why Anna wanted to be around him. Toward the last third of the book, I realized that this book borrows its basic outline from [Pride and Prejudice], which was a nice bonus for me! But the novel stands very well on its own merits, and I’d recommend it to people who like their chick lit with a little depth.