Tag: historical fiction

Review: Mariana

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Susanna Kearsley, Mariana

When Julia Beckett was five years old,  she saw a house while traveling with her family and instantly felt drawn to it. Years later, she sees the house again and impulsively decides to buy it. As she settles down in the country village of Exbury, she is fascinated by the history of her house and the surrounding area. She also begins to experience “flashbacks” from the perspective of Mariana Farr, an inhabitant of the house in the 17th century. The more time Julia spends as Mariana, the more she is captivated by the events of the past — especially when the handsome Richard de Mornay, lord of the neighboring manor, shows an interest in Mariana. However, Julia must eventually discover why she shares Mariana’s experiences and what the consequences will be for her own life.

I had heard a lot of wonderful things about Susanna Kearsley, but I ended up being a bit underwhelmed by my first Kearsley novel, The Winter Sea. I enjoyed this book more, probably because I had more moderate expectations going in. Julia is a likable character, and I really enjoyed her relationships with the other present-day characters, especially her brother Tom. I was actually much less interested in the historical plot line, which is unusual for me. I felt like Kearsley wanted me to care more about Mariana’s story, but I honestly cared more about Julia’s. I wasn’t totally satisfied with the present-day romance either, but I can’t explain why without spoiling the book. Overall, I found this book a pleasant read, but unfortunately it didn’t grab me the way I wanted it to.

Review: The Ladies of Grace Adieu

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Susanna Clarke, The Ladies of Grace Adieu and Other Stories

When I read Jonathan Strange and Mr. Norrell last year, it pretty much knocked my socks off, so I was excited to find  Clarke’s collection of short stories (all of which were, I think, previously published elsewhere).  Here are my thoughts on the individual stories:

“The Ladies of Grace Adieu” — Jonathan Strange visits his brother-in-law in Gloucestershire and is surprised to discover three young ladies with magical talents; however, they don’t always use these talents for benevolent purposes. A suitably creepy and atmospheric story, but I didn’t quite follow the plot.

“On Lickerish Hill” — In the 15th or 16th century, a young peasant girl marries the local squire and is forced to spin a large quantity of wool in an impossibly short period of time. My least favorite story in the bunch; the period language got on my nerves, and in general the story didn’t feel like it had very much substance to it.

“Mrs. Mabb” — In Regency England, a girl’s lover jilts her for the mysterious Mrs. Mabb, and the girl decides to fight back. I liked this story, especially the descriptions of the girl’s experiences in fairyland, which are darker and more painful than the word “fairyland” suggests.

“The Duke of Wellington Misplaces His Horse” — The title of this one is pretty self-explanatory. 🙂 This is one of the shortest, most amusing stories in the bunch, and the setting (the village of Wall) is borrowed from Neil Gaiman’s Stardust. Definitely one of my favorites in the bunch.

“Mr. Simonelli or The Fairy Widower” — Simonelli keeps a journal about his new job as the vicar of a country village and his encounters with a fairy lord who is looking for a new human bride. I liked this story because it was longer and more fleshed out than most of the others; it also conveys a subtly disturbing atmosphere.

“Tom Brightwind or How the Fairy Bridge Was Built at Thoresby” — A Jew and a fairy visit the decaying town of Thoresby and make a plan to help its inhabitants. I wasn’t terribly interested in this story as such, but it does shed some light on Clarke’s fairies and their family relationships.

“Antickes and Frets” — Mary, Queen of Scots, plots to destroy Elizabeth by using magic. I enjoyed the incorporation of actual historical figures into this story.

“John Uskglass and the Cumbrian Charcoal Burner” — John Uskglass, the Raven King, inadvertently injures a lowly charcoal burner, who turns to various Christian saints for retribution. This was my favorite story in the bunch; the saints were hilarious, and I just really liked the whole idea of this story.

Sorry that took so long! I never know how to review short story collections. Should I talk about each story individually or just give my impressions on the collection as a whole? As you can see, I’ve chosen the former approach because I think it’s more helpful to people who are deciding whether the collection is worth their time or not. Anyway, I wouldn’t recommend this book to someone who hasn’t read Jonathan Strange, but for those who have read it, these stories shed an interesting light on Clarke’s world and her vision of the realm of fairy.

Review: Son of the Shadows

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Son of the Shadows by Juliet MarillierJuliet Marillier, Son of the Shadows

Warning: SPOILERS for Daughter of the Forest.

Liadan, the youngest daughter of Sorcha and Red, loves her home at Sevenwaters and wants nothing more than to remain there with her beloved family. However, it seems the Fair Folk have another destiny in store for her. While paying a visit to a sick farmer, Liadan is kidnapped by a group of mercenary soldiers and forced to use her healing skills on their behalf. Terrified to be held captive by these intimidating warriors, Liadan nevertheless does her best to heal the wounded man. Her quiet determination soon wins the men’s respect, but she frequently finds herself at odds with their leader, a man tattooed with menacing symbols and thus referred to as the Painted Man. The arguments between Liadan and the Painted Man eventually transform into a grudging respect and then something more, but outside pressures continually conspire to drive them apart.

I read the first Sevenwaters book, Daughter of the Forest, a few years ago and absolutely loved it. Soon afterward, I acquired the next two books in the series, but for some reason I never got around to reading them. Now I can say that Son of the Shadows is an excellent read, though not a very quick one. There’s so much lush language and description that the book moves fairly slowly.  While I got a little impatient with the pervasive mystical elements (telepathic communications, mysterious prophecies, etc.), they definitely help to create the full-bodied world of the series. I was also annoyed by the Big Secret involving Liadan’s sister Niamh, which was predictable and should have been revealed a lot sooner than it was. However, I really enjoyed the story of Liadan and the Painted Man, and I look forward to seeing what happens in the next installment of the series, Child of the Prophecy.

P.S. Question time: is this the worst cover ever? It’s definitely one of the worst I’ve seen!

Review: Blotto, Twinks and the Ex-King’s Daughter

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Simon Brett, Blotto, Twinks and the Ex-King’s Daughter

This send-up of the Golden Age mystery stars the amiable but incredibly dense Blotto and his sister Twinks, who is both staggeringly beautiful and extremely intelligent. The story begins with the discovery of a body in the library (of course), which happens to belong to a visiting dignitary from Mitteleuropia. The exiled King Sigismund and his retinue are staying at Blotto and Twinks’ home due to a recent coup in Mitteleuropia by the ex-king’s traitorous brother. But the body in the library turns out to be the least of Blotto and Twinks’ worries when they stumble upon a plot to kidnap the ex-king’s daughter. Now they must save the ex-princess, infiltrate the Mitteleuropian court, and restore King Sigismund to his rightful place on the throne.

As with most parodies, enjoyment of the humor will vary widely from reader to reader; personally, I liked it and thought it worked well. The plot is, of course, ridiculous and wildly improbable, but that’s part of the fun. The characters are also fairly two-dimensional; even Blotto, the protagonist (of sorts), doesn’t really have any depth. But again, in my view, that’s not the point of the book. Rather, this novel is a playful homage to the classic British cozy, with more than a few nods to P.G. Wodehouse thrown in. Anyone who likes the Golden Age of mysteries would probably find a lot to enjoy and appreciate in this novel. That said, the jokes do get a bit repetitive, and they’re also not particularly subtle, so I can understand why some people might find the whole thing irritating rather than amusing. In my opinion, though, the book succeeds in being a fun, silly read, and I’ll most likely continue with the series.

Review: Julia and the Master of Morancourt

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Julia and the Master of Morancourt: A Novel…Janet Aylmer, Julia and the Master of Morancourt

Julia Maitland, the oldest of three sisters, is expected to marry well so that her family will be supported when her father dies. She vows that she will not marry a man she doesn’t love, but she nevertheless agrees to her mother’s various schemes to introduce her to eligible men. While visiting a friend of the family, Harry Douglas, Julia becomes acquainted with his son Kit and is immediately attracted to him; however, as a younger son, Kit isn’t a good match from a monetary standpoint. Throughout the course of the novel, Julia strives to reconcile her familial responsibility with her heart.

I’m a sucker for a good Regency-era love story, so I was expecting to enjoy this book much more than I did. The “marry rich to support the family” plot is horribly overdone in this genre (and no one has ever done it as well as Jane Austen, so part of me wonders why people are even still trying). Also, there was no suspense whatsoever. Even a subplot about possible illegal activity involving Kit’s servants failed to hold my interest, mostly because the solution to the entire thing was so blatantly obvious from the beginning. There was also something jarring about the writing style; though the book tries to imitate period language, it comes off sounding stilted and awkward. All in all, I was disappointed in this book. Should have picked up a Georgette Heyer novel instead!