Sinéad Murphy, The Jane Austen Rules: A Classic Guide to Modern Love
This short book positions itself as a dating guide based on the timeless wisdom of Jane Austen. As a diehard Austen fan, I loved the premise, but I have mixed feelings on the execution. I do think the advice, both about dating and how to be a woman in the modern world, is largely good. The Austen analysis is also interesting; it’s not super deep literary criticism, but some of Murphy’s interpretations are ideas I hadn’t considered before. However, I wasn’t a fan of the writing style, which is trying—and mostly failing—to imitate Austen. Plus, Murphy misquotes the first sentence of Pride and Prejudice, which is frankly inexcusable! So, while I didn’t hate the book, I wouldn’t recommend it either, even for Austen fanatics.
Elizabeth George Speare, The Witch of Blackbird Pond
In 1687, orphan Kit Tyler experiences severe culture shock when she leaves her life of luxury on a Barbados plantation and moves in with her aunt’s family in Connecticut Colony. At first Kit hates her new life: Her uncle is strict, she’s forced to help with the unending household chores, and the broader Puritan community is suspicious and unwelcoming. Gradually she comes to appreciate her new situation, particularly after she befriends an old woman widely reputed to be a witch. But when the town’s hostility toward the “witch” turns ugly, Kit’s own safety is threatened. This was my favorite book for a while growing up, and upon rereading, I was surprised by just how many scenes I remembered. I found it a very enjoyable read that paints a vivid picture of colonial New England, both good and bad. I also loved Kit’s character development, as well as the multiple satisfying love stories. I’m glad I decided to revisit this one!
Cornell Woolrich, The Bride Wore Black
This thriller features a mysterious woman who is systematically murdering men throughout New York City. Her motive is unclear, as she doesn’t seem to know any of the men personally. Beautiful and clever, she’s easily able to gain access to her victims, and she always vanishes directly after the murder without a trace. Eventually, a policeman notices a pattern among the killings and makes it his mission to bring this femme fatale to justice. This is a fascinating, suspenseful novel with a clever structure, following the woman and each of her male victims in turn. As a result, I felt some measure of empathy for every character and was eager to discover the woman’s motive. The ending is both satisfying and heartbreaking—everything is resolved, but none of the characters get what they want. I’d definitely recommend this one to fans of suspense and noir, and I’m interested in reading more by Woolrich.
You Book Me All Night Long 