Review: Lexicon

LexiconMax Barry, Lexicon

Emily Ruff is a teenager living on the streets of San Francisco, subsisting on the change she earns by fleecing people at cards. So when she is approached by a mysterious organization that wants to send her to a special boarding school, all expenses paid, she jumps at the chance without asking too many questions. When Emily arrives at the school, she learns that its purpose is to train poets, an elite group of individuals who can use words to “persuade” people to do anything. Emily learns that people can be divided into segments based on their personality type, and each segment responds to a unique set of words. The poets want Emily because they have ascertained that she is more than usually persuasive. Meanwhile, Wil Parte is on the run, accompanied by a renegade poet called Eliot — but he doesn’t know who he’s running from or why they’re looking for him. Both Emily and Wil must eventually face violence and impossible choices as the connection between their stories becomes evident.

I picked up this book because I loved the premise, which is essentially that words have power (something book lovers already know!). Max Barry has imagined a world in which the masses can be controlled by an elite few with words alone — a world that is frighteningly close to our own. For me, the book’s biggest strength is how plausible it is; with our private lives increasingly made public through the Internet, it’s very easy to imagine governments and other powerful groups using that private information for their own ends. The book also reads extremely quickly and is chock-full of action. However, the book was a little too graphic for me, in terms of both sex and violence. And more importantly, I feel like Barry missed a great opportunity to explore some interesting philosophical questions in the novel. Clearly the poets are to some extent sinister, and the villain of the book is quite obviously the villain; but even the so-called heroes do a lot of morally questionable things, and their behavior is never really called to account. The book has a happy(ish) ending, and I just don’t think it’s justified. Still, this is a fun read if you’re interested in the premise, but I’d recommend getting it from the library rather than buying.

Review: Gone Girl

Gone Girl by Gillian FlynnGillian Flynn, Gone Girl

Nick and Amy Dunne are attractive thirty-somethings living in a large house in Missouri, right by the Mississippi River. From the outside, they seem to have a charmed life, but in fact they’ve been having increasingly severe marital problems. Then, on their fifth wedding anniversary, Amy goes missing. Suspicion naturally falls on Nick, since in these situations it’s usually the husband who is guilty. Did Nick kill Amy, and if not, what happened to her? As the narrative slowly unfolds, the truth becomes ever more complex and more elusive.

This is the kind of book that’s really hard to discuss without major spoilers, but I’ll do my best not to give anything away! For starters, this is not my usual genre; I hardly ever read thrillers, but this one is so popular that I decided to see what all the fuss was about. Overall I think I enjoyed the book, or at any rate I found it compelling. I got sucked into the story and had to keep turning the pages to find out what would happen next. Neither Nick nor Amy is entirely likable, and they both get more unpleasant as the book goes on. But it was fun to chase all the plot twists and try to stay one step ahead of the narrators. (Nick and Amy take turns narrating, him from the time of the disappearance and her from diary entries written beforehand.) I didn’t like the ending, though obviously I can’t be more specific. Still, this is a good read for what it is, and I’d recommend it for planes or beaches (but definitely not on your honeymoon!).