This debut novel is a YA retelling of Much Ado about Nothing set in the 1920s. Hero Stahr and her father Leo run a speakeasy called Hey Nonny Nonny on Long Island, with the help of Pedro “Prince” Morello. Benedick Scott is an aspiring novelist who chafes under his privileged upbringing and finds a sympathetic home at Hey Nonny Nonny. So does Beatrice Clark, Hero’s cousin, who wants to be a doctor despite her gender and her poverty. Margaret Hughes, the speakeasy’s resident jazz singer, longs for success on a bigger stage — almost as much as she longs for Prince’s standoffish brother, John — but her black skin may stop her from achieving either dream. As these characters fight to keep Hey Nonny Nonny up and running, they must deal with parental pressures, misunderstandings, dangerous bootleggers, and falling in love.
I wasn’t prepared for how much I would love this book. The premise sounded fun, but I thought at best I’d get a lighthearted romp — or, more likely, it would all go horribly wrong. I didn’t expect to care so deeply about these characters, to be so moved by their stories, or to be so invested in their relationships. But I adored this book, and I’m very sure it will be on my “best of 2019” list a year from now! The writing style is sharp and inventive — Beatrice, for example, is described as “a clock-throwing ruin of a girl,” and how could you not love her after that description? I loved the central romance between Beatrice and Benedick, which unfolds with agonizing, delicious slowness. As in Shakespeare’s original, the joy comes from their teasing banter and mutual respect for each other’s intelligence. The book deviates from the play somewhat with the secondary characters, but I thought all the changes made sense and enhanced the story the author was telling. In short, I loved (LOVED) this book and would definitely recommend it to anyone who likes the premise!