This second installment of the Inspector Alleyn series is set in the London theater world. Arthur Surbonadier, a supporting actor in a new play, has managed to alienate nearly everyone in the cast and crew. He has threatened his uncle, who owns the theater company, in order to be cast in a better role. He has made unwelcome advances to the leading lady, which upsets both her and her new lover, the leading man. So it’s not entirely surprising that Arthur ends up murdered — shot onstage with a prop gun that was supposed to be loaded with dummy cartridges. Luckily, Inspector Alleyn and his journalist friend, Nigel Bathgate, are in the audience. Their investigation uncovers many sordid details about the victim’s past, including blackmail, drug dealing, and the seduction of one of the stagehands. But they are nevertheless unprepared for another murder, which leads to the shocking discovery of the killer’s identity.
I’ve been reading up a little bit about Ngaio Marsh, and one of the most frequent complaints about her novels is that they have a good setup but get very boring once the murder takes place. I can see some validity in that complaint: the first few chapters of this book are very compelling, as they introduce the characters and ratchet up the pre-murder tension, but the rest of the novel follows the relatively mundane police activity of interviewing suspects. Nevertheless, I wasn’t bored by this book — it’s very short, and I didn’t mind the suspect interviews, especially when they allowed Alleyn and Bathgate to bounce off of each other. I still don’t really have a sense of Alleyn as a character, except that he can occasionally be playful and enjoys keeping his friends (i.e., Nigel) in the dark. But perhaps he’ll be fleshed out more in later books. I did enjoy the solution to the mystery, which I didn’t guess ahead of time, and I’m looking forward to reading more in this series.