In an unnamed Latin American country, the government is hosting a birthday party for Mr. Hosokawa, a Japanese businessman who is deciding whether to build a factory there. Since Mr. Hosokawa loves opera, the world-famous soprano Roxane Coss has been invited to sing. The party begins beautifully but is shockingly disrupted when members of a terrorist organization burst into the vice president’s home and take everyone hostage. The terrorists are looking for the president, but he’s not at the party; he stayed home to watch his favorite soap opera. As a result, the attackers don’t know quite what to do next, and the hostage situation stretches on for days and even weeks. As time passes, the gap between prisoners and captors begins to narrow, and everyone trapped in the vice president’s house is eventually united by their appreciation for beauty and their common humanity.
This isn’t my usual type of book at all, so I was surprised to find that I really enjoyed it. While the inciting incident is a hostage crisis, the novel is neither thrilling nor fast-paced. Rather, it’s very contemplative in tone and spend a lot of time exploring the thoughts and feelings of the various people trapped in the house, both prisoners and guards. It’s hard to single out one protagonist, as the narrative pays equal attention to at least six or seven people. Normally this would frustrate me, but here I think it helps to reinforce the novel’s theme of people from very different backgrounds finding common ground. I liked that even the minor characters are given depth and dimension; no one is a prop or a plot device. Also, as a musician (though not an opera buff by any means!), I very much enjoyed the emphasis on the power of music to bring people together, even if that message does get a bit too heavy-handed at times. Overall, I feel like I’m still processing this book, and I’m sure I will be thinking about it for some time to come.