Edward Grierson, The Second Man
Set in 1950s England, this novel focuses on a small-town law practice that has just hired a female barrister. Marion Kerrison is a young woman in an almost overwhelmingly male profession, and she must fight to be taken seriously both in the practice and in court. But she has some allies, including junior lawyer Michael Irvine, who narrates the book. Marion soon proves her worth by winning several cases, and because of her gender she receives some attention from the press. As a result, the practice assigns Marion a much more important case: the defense of John Maudsley, who is accused of murdering his aunt to obtain an inheritance. Everyone except Marion thinks he’s guilty, but she insists that the key witness is lying and that someone else committed the crime. With Michael’s help, she reviews the evidence, questions key witnesses, and tries to come up with an alternate theory of the murder.
Most mystery novels end with the discovery of the guilty party and the implication that he or she will be brought to justice. But this novel explores what happens next: the investigators may have discovered the truth, but can they prove it in a court of law? What happens if witnesses are unreliable, evidence is inadmissible, or one side simply has a better lawyer than the other? This book explores these fascinating questions by focusing almost entirely on the murder trial, and I thoroughly enjoyed it. I also thought the portrayal of Marion was very interesting. I expected it to be more sexist, frankly, given the author’s gender and the era in which the book was written. But while the novel does make some irritating assumptions about Marion’s “intuition,” it is also surprisingly sensitive to the difficulties she faces as a woman in her profession. My one complaint is that the book ends rather abruptly, and the solution to the mystery isn’t explained in much depth. I missed that final chapter where the detective explains how s/he solved the crime. But overall, I would definitely recommend this book if the premise interests you.
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