A Year with the Beatles: Sgt. Pepper’s Lonely Hearts Club Band

Beatles_Sgt. Pepper's Lonely Hearts Club BandWell, it’s way past time for me to talk about the Beatles’ eighth U.K. studio album, Sgt. Pepper’s Lonely Hearts Club Band. I’ve been losing enthusiasm for my Beatles project of late, mostly because Real Life has been taking up the lion’s share of my time. Sgt. Pepper is usually regarded as the Beatles’ most experimental/weirdest/trippiest album, and I have to say, it wasn’t one of my favorites. Here are my thoughts on the individual songs:

“Sgt. Pepper’s Lonely Hearts Club Band” — This song is actually pretty boring, musically speaking; it’s really just a standard blues harmony. But I like how the song sets up the rest of the album as a “live” show.

“With a Little Help from My Friends” — Whenever I hear this song, all I can think about is “The Wonder Years.” Apart from that, it really doesn’t do anything for me.

“Lucy in the Sky with Diamonds” — The  chorus of this song doesn’t really seem to match the verses; the song goes from a creepy little waltz to a rock chorus. Which is an interesting idea, but I don’t particularly like the way it came out.

“Getting Better” — I like this song, probably because it’s not trying to be too clever. It’s a straight-up rock song with a catchy chorus and a fun driving pulse.

“Fixing a Hole” — Liked this one as well, particularly the cool little sound effects on the guitar.

“She’s Leaving Home” — I like the way the song alternates from the parents’ point of view to the daughter’s. It’s a nice twist on the “my parents don’t understand me” idea. It’s also a very sad song.

“Being for the Benefit of Mr. Kite!” — I like the trippy-circus-carnival feel of this song. Also, is it just me, or is there something a bit menacing about it? Like, “we’re inviting you to this show, but if you don’t come, we’ll kill you.” Definitely something sinister going on…

“Within You Without You” — Oh goody, more sitar! Aren’t the Beatles sick of it yet? I thought this song was dull, dull, dull.

“When I’m Sixty-Four” — This song has a charming old-timey feel to it, like maybe Glenn Miller recorded it first. I love the clarinets! And the lyrics are charmingly romantic.

“Lovely Rita” — Meh, this song didn’t make much of an impression on me. It did sound very similar to the chorus of “Lucy in the Sky with Diamonds” to me, though.

“Good Morning Good Morning” — Not a huge fan of this song, but I would definitely like it to play loudly every morning in lieu of my alarm clock!

“Sgt. Pepper’s Lonely Hearts Club Band (Reprise)” — Nothing new to say about this one…but it does continue the “live show” feeling of the album, which is cool.

“A Day in the Life” — Meh. Boring.

Yes, I’m obviously a little burned out on the Beatles reviews! I do have The Beatles (the white album) on deck, so hopefully I’ll post a review for that one soon. But honestly, I haven’t started listening to it yet, and it’s LONG. So we’ll see.

Tune in Tuesday with Katelyn: I don’t want to fake it, I just want to make it

Tune in Tuesday-pinkI had several different ideas for this week’s Tune in Tuesday, but one song kept popping into my head and would not be ignored. I am unapologetic in my love for the band Cake, and I really dig the groove of this song in particular — it’s got a definite funk/soul flavor, in my opinion! I’ve also been a little bit obsessed with love songs lately…I blame too much “Say Yes to the Dress”! Anyway, here is Cake with “Love You Madly”:

Tune in Tuesday with Katelyn: Someone sang me through it

Tune in Tuesday - Cover EditionSo remember how last week I featured Ted Leo’s kickass cover of Kelly Clarkson? And how I gushed that he is one of my favorite musical artists ever? Well, I found a really interesting cover of one of HIS songs, thanks to the A.V. Club! So this week I give you Basia Bulat covering Ted Leo’s “Where Have All the Rude Boys Gone?” The actual song starts at [1:10], but if you have time, you should also listen to her comments about why she chose to cover this particular song. I like that she actually thought about the song’s meaning and how it fits into a broader musical tradition. I also really like her cover (although obviously I prefer the original)! I’d never heard of Basia Bulat before, but I’m digging her voice and her folky style. Plus, it looks like she’s having a ton of fun! I’ll have to check out more of her stuff now.

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Original:

Tune in Tuesday with Katelyn: I even fell for that stupid love song

Tune in Tuesday - Cover EditionI’m really warming up to the cover edition of Tune in Tuesday now. As you may recall, I was a bit flummoxed by this theme initially, since I didn’t think I could come up with four covers I liked more than the originals. But I’m starting to appreciate covers a little bit more now…it’s not always a question of being better than the original song, but rather presenting that song to listeners in a new way. So today I’m sharing a cover that I really like, of a song that I don’t really like! The cover artist is Ted Leo, whom I love love love. Seriously, he is one of my all-time favorite musical artists, and I wholeheartedly recommend that you check out lots and lots of his stuff! (I’ll undoubtedly feature some of his original songs in a future Tune in Tuesday post, so stay tuned for that.) And in the meantime, here’s his cover of Kelly Clarkson’s “Since U Been Gone” (with a little bit of “Maps” by the Yeah Yeah Yeahs)! As I said, I don’t particularly like the original, but when I heard Ted Leo’s version, I was like, “Hey, this song’s not so bad after all!” Sometimes all you need is a fresh perspective. 🙂

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Tune in Tuesday with Katelyn: I’ll be gone in a day or two

Tune in Tuesday - Cover EditionIt’s the second week of Tune in Tuesday’s cover theme, and I decided that I definitely needed to feature a Reel Big Fish cover! RBF was one of my favorite bands in college; I’ve seen them live more than once, and they are still solidly on my iPod rotation. They’re so goofy and high-energy and self-deprecating, and they’ve put their ska/punk twist on a bunch of really fun songs! I actually had trouble deciding between their version of “Boys Don’t Cry” and “Take on Me,” but ultimately I decided to go with the latter. (But go here for “Boys Don’t Cry” if you want it!) I love how they replaced the catchy synthesizer line with brass instruments! So here’s Reel Big Fish covering “Take on Me,” originally performed by A-ha. P.S., the original video is a thing of beauty!

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Tune in Tuesday with Katelyn: Poor old Johnnie Ray…

Tune in Tuesday - Cover EditionTime for another themed month at Tune in Tuesday! During September, we’ll be sharing our favorite cover songs. I think this will actually be a pretty difficult theme for me, since I generally tend to prefer the original song to the cover. But it’s always interesting to hear a different spin on a song you like, and there are some very creative bands out there! So this week I’m giving you a cover I actually like: “Come On Eileen” as performed by Save Ferris, covering Dexys Midnight Runners. You may recognize Save Ferris from their cameo in “10 Things I Hate About You” (they were the band that played at the prom)!

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Tune in Tuesday with Katelyn: We must have died alone

Tune in Tuesday with KatelynStrangely enough, the first place I ever heard this song was an episode of “Gilmore Girls”; it played underneath the first kiss between Lane and Dave Rogowski in “A Deep-Fried Korean Thanksgiving” (3×09). It’s hard to imagine a more incongruous song for a romantic moment…this song is heavy and kind of heartbreaking. But I love the haunting guitar riff at the beginning! So for this week’s Tune in Tuesday, I give you “The Man Who Sold the World” by David Bowie:

Tune in Tuesday with Katelyn: Don’t you go away from here

Tune in Tuesday with KatelynI first heard this week‘s song on an episode of “Chuck” (4×17, “Chuck vs. the First Bank of Evil”) and was immediately charmed by it. I love how it builds in complexity, starting with a simple guitar accompaniment and gradually adding voices and instruments. I also like the very strong, driving beat underneath. And of course, the singer’s Scottish accent doesn’t hurt a bit! So without further ado, here’s “Squealing Pigs” by Admiral Fallow:

A Year with the Beatles: Revolver

Beatles_RevolverOnce again I’m late with my post on the Beatles’ seventh studio album, Revolver, which I listened to throughout July. This album should really be subtitled: “In which the Beatles discover the sitar.” There is a lot (A LOT) of sitar on this album, just sayin’. But I am liking the Fab Four more and more with every album, it seems. This one has a lot of great songs, many of which are instantly recognizable:

“Taxman” — I have to say, it surprised me to hear the Beatles singing such fiscally conservative lyrics! It’s one of the first overtly political songs in their oeuvre, and while I quite enjoyed their earlier boy-meets-girl stuff, this is a refreshing change.

“Eleanor Rigby” — This is a great song, albeit terribly, terribly depressing. Love the violins and other orchestral touches.

“I’m Only Sleeping” — I hated this one…something about John Lennon’s whiny vocals just grates on my nerves. I don’t know why he chose that vocal style for this song, but it is super, super annoying.

“Love You To” — Sad to say, I couldn’t actually remember this song when I sat down to write this post! A quick refresher online reminded me: this is the one that sounds like Bollywood. First major appearance of the sitar! I like the driving beat of the song, though.

“Here, There and Everywhere” — Blehhh. This one’s pretty, I guess, but I found it incredibly boring.

“Yellow Submarine” — A Ringo song I actually like! After all, who hasn’t wanted to run away from the world and live a life of ease, sailing the sea of green?

“She Said She Said” — I dig this song a lot. It sounds more like modern rock than a lot of their earlier stuff…seems to be looking forward rather than backward.

“Good Day Sunshine” — Another one I really, really like! As I’ve said before, the Beatles tend to write well about the sun. 🙂

“And Your Bird Can Sing” — I like this one too…I’m intrigued by whatever story it’s telling.

“For No One” — This is the other one I couldn’t immediately remember. Don’t have too much to say about it, although I like the prominent piano.

“Doctor Robert” — Not a huge fan of this song. I guess songs about drugs just aren’t my bag (see what I did there?), “Hotel California” being the obvious exception.

“I Want to Tell You” — A cool thing about this song is that the verse seems to go on longer than you think it should. I like when musicians think outside the box and thwart listeners’ expectations.

“Got to Get You into My Life” — Love this! It’s just a cool, fun rock-‘n’-roll song.

“Tomorrow Never Knows” — The sitar really exploded all over this song. It’s not very catchy or melodic, and I found all the different sound effects and percussive cacophony distracting.

For the month of August, I’ll be listening to Sgt. Pepper’s Lonely Hearts Club Band, which is widely regarded to be the Beatles’ trippiest album. Should be fun, so stay tuned!