Review: The Passing Bells

The Passing BellsPhillip Rock, The Passing Bells

In the summer of 1914, the aristocratic Grevilles of Abingdon Pryory are relatively carefree, except for the usual problems of their class: son and heir Charles is in love with an unsuitable woman, daughter Alexandra is about to begin her first London Season, and brash American cousin Martin Rilke is visiting from Chicago. So when a duke in faraway Austria is assassinated by a Serbian revolutionary, neither the Grevilles nor their friends believe that the event will have any effect on them. Yet as the conflict escalates into a full-scale war, the Grevilles’ lives are changed forever as Charles joins the army and Alexandra volunteers as a nurse. This novel follows several characters, from Lord Greville down to housemaid Ivy Thaxton, as they experience the shock and horror of World War I.

“Downton Abbey” fan that I am, I couldn’t resist this historical novel about WWI. I was very impressed by the way historical information was embedded into the narrative; while there are a few infodumps, they’re largely unobtrusive. For example, the American cousin is a newspaper man trying to do a story about the war, but his fellow journalists have to explain the background of the European conflict to him. I also liked that the book follows a variety of characters with different perspectives on the war. The young people are enthusiastic and overflowing with patriotism at first, but most of them are quickly disillusioned. Senior military officers berate the stupidity that lost so many lives needlessly at the Somme. The women experience the pain of losing their loved ones, but they also find new and useful work that gives their lives a new direction. All that said, I never became fully gripped by the story; because the novel is so focused on the war, it somewhat neglects character development and relationships. Overall, this is a solid historical fiction novel, and I’d recommend it to fans of the period, but I didn’t love it.

Tune in Tuesday with Katelyn: ‘Cause for us there is no end

Tune In Tuesday Love Song Edition ButtonCheck it out: Tune in Tuesday is doing a theme month! From Katelyn’s blog:

It’s Tuesday, it’s February, and it’s the month of love. Do you know what this all means? Tune In Tuesday: Love Song Edition is here! For those of you that may not know, for the month of February, us Tune In Tuesday-ers will be posting our favorite love songs! For each Tuesday of this month I plan to post a few completely random (yet totally awesome!) love songs that I just, well…love!

I love a good love song, so I’m totally in for this theme! Beware — sappy gushing may be forthcoming. 🙂

If someone asked me right now to name my all-time favorite romantic song, it would be this one, “Have a Little Faith in Me” by John Hiatt. I love these lyrics: they’re passionate, they’re direct, and they lay it all on the line. Nothing fancy or clever here; just a full-throated, no-holds-barred declaration of love. This is the song I dream of dancing to at my (currently hypothetical) wedding.

Why you should watch “Tonight You’re Mine”

Tonight You're MIneRecently I decided to try out Netflix’s DVD service so that I could finally watch some new releases I’d been wanting to see. While I was browsing through their offerings, I came across a movie called “Tonight You’re Mine.” The synopsis intrigued me:

Shot over the course of five days at Scotland’s annual T in the Park music festival, this unconventional romance centers on a pair of bickering rockers who are handcuffed together; 24 hours later, they’re falling in love.

Yes, the setup is a total cliché, but I’m a sucker for movies about music and musicians, so I figured I’d give it a chance. And I’m really glad I did! The two lead actors are very appealing, particularly Luke Treadaway as Adam. (To be fair, I like looking at scruffy rock stars, so I might be a bit biased!) They have great chemistry together and manage to make the handcuff thing look very natural and realistic.

I also loved the fact that the movie was filmed at an actual music festival; it really captured the energy and magic of 85,000 people coming together to enjoy some great songs. A lot of real bands are featured in the film, and while I had never heard of most of them before, I was happy to be introduced to some new music!

It’s not a perfect movie, by any means. Because the movie is short and was filmed on a very tight schedule, the plot and character development are relatively slight. Also, it’s very hard to hear some of the dialogue due to the challenges of filming at a live event. But there’s enough here to be entertaining for anyone who likes music and rom-coms. This scene alone, where the heroine’s band is playing a gig (with the hero still handcuffed to her arm), sold me:

Unfortunately the end of the song is cut off, but you get the idea. 🙂

There’s also this charming song from the very beginning of the film (actually written by Treadaway):

It’s so freakin’ catchy, I can’t even take it!

Long story short, “Tonight You’re Mine” isn’t going to be one of my all-time favorite movies, but it’s definitely worth watching!

Bookish Update: January 2013

List-maker that I am, I thought it might be fun to collect some bookish statistics and post them at the end of every month. I’ll list the books I read, the books I acquired, and anything else that strikes my fancy.

Currently reading: Phillip Rock, The Passing Bells

Books read in January (all reviews can be found on the Review Index page):

  1. Erin Morgenstern, The Night Circus
  2. Lauren Morrill, Meant to Be
  3. Larry McMurtry, Lonesome Dove
  4. Anna Gavalda, Hunting and Gathering
  5. Patricia Moyes, Dead Men Don’t Ski
  6. Gemma Burgess, The Dating Detox

Favorite book of the month: Hunting and Gathering — a beautiful love story with depth.

Least favorite book of the month: The Night Circus — gorgeous setting, but no real plot or character development.

Books acquired in January:

  1. Kristan Higgins, Until There Was You
  2. Julia Quinn, Just Like Heaven
  3. Kristan Higgins, Somebody to Love
  4. Umberto Eco & Cardinal Martini, Belief or Nonbelief?: A Confrontation
  5. Tayeb Salih, The Wedding of Zein and Other Sudanese Stories
  6. Patricia Moyes, Dead Men Don’t Ski
  7. Anna Dean, A Woman of Consequence
  8. Alicia Thompson, Psych Major Syndrome
  9. Hester Browne, Swept off Her Feet
  10. Kathryn Miller Haines, When Winter Returns
  11. Gemma Burgess, The Dating Detox
  12. Cynthia Smith, Silver and Guilt
  13. Susanna Kearsley, The Shadowy Horses