Carlos Ruiz Zafón, The Shadow of the Wind (trans. Lucia Graves)
When Daniel Sempere is ten years old, his father takes him to the Cemetery of Forgotten Books for the first time. There he must choose one book that calls to him, and it will be his job to protect it forever. Daniel chooses a novel called The Shadow of the Wind by Julián Carax, unaware that this simple decision will alter the entire course of his life. Daniel reads the book and loves it, so he tries to find other novels by Carax, only to discover that there are none. Someone is systematically destroying every copy of every book Julián Carax ever wrote, and he is calling himself Laín Coubert, one of Carax’s names for the devil. As Daniel comes of age in mid-20th-century Barcelona, he makes it his mission to discover who is destroying Carax’s books and why. His quest leads him to a long-buried secret involving friendship, passion, madness, and true love. But the more deeply Daniel digs into Carax’s mysterious background, the more he discovers parallels to his own life, and the more danger he finds himself in.
This is one of those books that just didn’t grab me, for some reason. I found myself able to put it down for days at a time, and when I finally did power through it, my mind kept wandering. But I don’t quite understand why, becasue I honestly liked a lot of things about this book! First of all, I’m now dying to visit Barcelona because of the vivid descriptions of its streets, neighborhoods, and restaurants. I also enjoyed the almost Dickensian depictions of the secondary characters, like this one:
His mouth was glued to a half-smoked cigar that seemed to grow out of his mustache. It was hard to tell whether he was asleep or awake, because he breathed like most people snore.
The plot is fairly melodramatic, but it’s undeniably interesting and full of event. Maybe I was a bit put off by the staggering number of coincidences connecting Daniel’s story to Carax’s, or maybe I didn’t like the portrayal of the female characters (who are basically nothing more than male fantasies). Ultimately, I just didn’t connect that much to the story or characters, so it was an effort for me to finish the book.
I think it was the melodrama that gave me problems with this one. By the end I was a little eye-rolly.
Haha, yeah, it definitely got overwrought in places!
I couldn’t get into this one either. As Andi points out, it was a bit melodramatic and as you point out, it relies on a lot of coincidences. I also didn’t like that, to me, it felt as though this was more Carax’s story than Daniel’s.
Very good point. Daniel’s story definitely took a back seat to Carax’s, and because of that, I wasn’t super pleased with the drawn-out Daniel epilogue.