***Warning: Slight spoilers for previous books in this series.***
In this ninth installment of the Charles Lenox series, the Victorian gentleman-sleuth is happy that his fledgling detective agency is beginning to thrive. He is especially excited about the recent disappearance of a famous German pianist who had been performing in London. Hoping to be hired to assist the police, Charles eagerly reads the newspaper reports and spins theories to explain the disappearance. But his attention is split between this mystery and his brother Edward, who is grieving the recent death of his wife Mary. Charles offers to keep Edward company at his country estate, only to run into more strange occurrences: a break-in, several thefts, and an unsettlingly cryptic drawing. Now Charles must work to solve two mysteries, and he soon realizes that in both cases, nothing is as it seems.
I quite enjoy this series, so I’m not sure why I waited three and a half years to read this book after reading the previous installment! It was nice to revisit these characters and immerse myself in this world after spending some time away. And I think this might be one of the strongest books in the series. I was able to guess some elements of the countryside mystery, but it still held my interest, and I found the resolution to be very thought-provoking and poignant. I also enjoyed the diversion to the village setting — most of the plot takes place there, although Charles does dash up to London every so often to work on the case of the disappearing pianist. In fact, my main complaint is that the dual mystery plots split the reader’s focus; I would have preferred to stay in the country and follow that case, perhaps leaving the pianist for another book. Still, this is a very good installment of an enjoyable series — well worth reading for fans of historical mysteries!