Dorothy L. Sayers, Busman’s Honeymoon
Lord Peter Wimsey and Harriet Vane are finally getting married, and they’ve decided to spend their honeymoon at Talboys, a house in Harriet’s childhood neighborhood that she’s always loved and that Peter has purchased for her. They’ve made arrangements for the turnover with Noakes, the previous owner, but when they arrive on their wedding night, Noakes is nowhere to be found. Eventually Peter and Harriet discover Noakes’s dead body in the cellar, and all signs point to murder. As they assist the local police in solving the mystery, they also adjust to their new reality as a married couple. This might be my favorite Wimsey story yet. The mystery is more satisfying than many of Sayers’s others; there are multiple plausible suspects and some well-placed clues. But the subtitle of the novel is “a love story with detective interruptions,” and the real meat of the story is Peter and Harriet’s relationship, as they learn more about each other and figure out how to combine two very independent lives. This book also fleshes out two recurring characters, Bunter and the Dowager, in a satisfying way. A wonderful ending to the series, in my opinion, although Sayers newbies shouldn’t start here.
Suzanne Allain, Mr. Malcolm’s List
Jeremy Malcolm, the wealthy and handsome younger son of an earl, is widely regarded as the catch of the season. He wants to find a suitable bride, but none of the women he’s met has checked off every item on his list of requirements for a wife. When Julia Thistlewaite, one of the young ladies he rejects, discovers the existence of the list, she is outraged and asks her friend Selina Dalton for help. Selina will come to London and capture Mr. Malcolm’s heart by pretending to have every quality on the list, but will then reject him for not meeting her own standards. Selina is reluctant to go along with the scheme, especially when she meets Mr. Malcolm and finds herself extremely attracted to him. This Regency romance is fine but lacks depth. It’s extremely fast-paced, leaving little time for character or relationship development. Overall, I thought it was just okay.
Jules Wake, Covent Garden in the Snow
Tilly loves her job as a makeup artist at the London Metropolitan Opera Company, but she’s a disaster with technology. When she inadvertently sends a computer virus to her entire contact list, she’s forced to work with the new IT director, Marcus, to gain some computer literacy. Marcus looks like a slick corporate type, and Tilly immediately decides that he has nothing useful to teach her. But she also feels an unwanted attraction, and the more time they spend together, the more she comes to like and appreciate him. This was a cute read; I enjoyed the backstage theatrical setting, and Marcus is an appealing hero (perhaps a bit too perfect). But Tilly drove me CRAZY. She’s laughably bad at technology — so much so that I couldn’t take her seriously as a professional adult. She also puts up with way too much from her feckless fiancé, who has to betray her trust in multiple very significant ways before she’s finally ready to end the relationship. And she’s completely awful to her family for no discernible reason. Yes, she does grow toward the end of the book, but by then I was already too annoyed with her. Overall, I liked some aspects of this book, and it was a quick and entertaining read, but the frustrating heroine prevented me from fully enjoying it.
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