Sophie Irwin, A Lady’s Guide to Scandal

Ten years ago, Eliza Courtenay married the wealthy Earl of Somerset out of duty to her family, even though she was in love with Somerset’s nephew at the time. The marriage was restrictive and unhappy, but now the earl has died and left Eliza unexpectedly rich. She decides to take control of her life and set up her own household in Bath. But her newfound independence comes with complications, especially when she’s torn between her old love (who is now the earl) and the charming yet scandalous Lord Melville. I greatly enjoyed Irwin’s debut novel, A Lady’s Guide to Fortune Hunting, so I had high hopes for this one, but it never quite grabbed me. I liked the development of the love triangle, where Eliza’s choice of man reflects her choice about what kind of life she really wants. But at the same time, that conflict feels very modern; with historical romance, I want to be transported to a different time, and I didn’t feel that here. Overall, I’d call this one good but not great.

Sarah Ready, French Holiday

After watching her sister marry her best friend, with whom she’s been desperately in love for the past four years, Merry DeLuca needs an escape. Her godmother offers to let her stay in her French chateau, and Merry jumps at the chance. But she’s shocked to discover that Noah Wright, the best man at her sister’s wedding, is also staying at the chateau to work on a travel documentary. Merry and Noah have always disliked each other, but now their close proximity causes them to reevaluate their relationship. I enjoyed this contemporary romance, though it feels a little unpolished (which makes sense, as I believe it’s self-published). At times the prose gets a bit overwrought, and some of the humor veers toward cringey, but the romantic/sexual tension is well done, with excellent use of the “only one bed” trope. Definitely worth a read if the premise interests you!

E.C.R. Lorac, Murder by Matchlight

In the opening chapter of this World War II-era mystery, a young man witnesses a murder—but because of the wartime blackout, he doesn’t actually see anything except a face that’s briefly revealed when the victim lights a match in the seconds before his death. Scotland Yard Inspector Macdonald is on the case and soon learns that the key to the truth lies in the dead man’s mysterious identity and background. This vintage mystery was a bit of a mixed bag for me. I loved the wartime setting and its subtle but important effects on the plot — for example, one of Macdonald’s suspect interviews is interrupted by an air raid. The cast of characters is interesting, and Macdonald is a likable sleuth. But I think the mystery itself is a bit weak, and the plot is mostly just Macdonald interviewing people, which gets boring. Overall, though, I’d be interested in reading more by Lorac.